The Cycle Plays

five new works, and an opening ritual, intended to be performed together in one day

10,000

Winterland

Letters from a Small House

Dark/Silent

Long Day's Journey into Night

Pretty

 

Winterland – The God play

Two girls search for the ecstatic as Johnny Rotten crawls into a radio and turns himself off

summary - cast list - music - cyclepedia


Winterland

 

Emma and Swan, two girls on the verge of adolescence, sneak out of their houses and into the woods. Their destination is Winterland, their goal, to see The Sex Pistols play.

An event is a crux in time. After this night, the band will no longer exist. After this month, Winterland will close. And this expedition, this transgression, is also a rite of passage for the girls, but into what?

On the way they see strange figures dancing in the snow: a leper, a beekeeper, and a milkman, all of whom are really the same man, Johnny Rotten, the iconoclast of whom they have made an icon. And they are distraught, disillusioned. They miss the concert.

What does it mean to have missed the concert, if they heard the music and saw the dance? Why do we seek identity in crowds and stand in line to see anarchy performed?

Emma and Swan never reach the shrine, but each person they meet on their pilgrimage is an avatar of the god.

synopsis by Edith Reisner Newton

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The Performers

Ghost of John Lydon
Jubilith Moore
Emma
Max
Swan
Sheila Berotti
Emma’s Mother
Libby Zilber
Emma’s Father
Lluís Valls
Swan’s Father
John Oglevee
 
Yugen Orchestra
Liz Allbee
trumpet, percussion, electronics, guzheng
Jason Stamberger
keyboard, percussion, electronics, guzheng
Suki O’Kane
drums
Jonathan Segel
bass
Allen Whitman
guitar

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music

Pioneering contemporary music has been composed for each of Theatre of Yugen's The Cycle Plays. Lead co-composers Allen Whitman and Suki O'Kane are joined by Jason Stamberger and Liz Albee to create the soundscape for Winterland.

Sample 1 - Snow Smoked

Sample 2 - Leper in Winter

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excerpt (TRT 05:41)

For more samples, you can also look into our archives

 

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cyclepedia

For more information on the subject matter of this and other plays in Theatre of Yugen's The Cycle Plays you can peruse the

cyclepedia

Everyone is welcome to browse and contribute.

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The Cycle Plays is made possible by support from
The Creative Work Fund, Djerassi Resident Artists Program, The Flintridge Foundation, the William and Flora Hewlett Foundation, Japan Foundation Los Angeles, The James Irvine Foundation, Lalys Wine, Meet the Composer’s Creative Connections Program, National Endowment for the Arts, Rockefeller MAP and the San Francisco Hotel Tax Fund/Grants for the Arts.