The Cycle Plays

five new works with an opening ritual, intended to be performed together in one day

10,000

Winterland

Letters from a Small House

Dark/Silent

Long Day's Journey into Night

Pretty

 

Dark/Silent – The Woman Play

Water breaks its banks and is Helen Keller's friend

summary - cast list - music - cyclepedia - script (pdf)


Dark/Silent

 

If the Unabomber retreats from a hostile world to a remote shack, Helen Keller makes the opposite journey. At first enclosed in her own mind by her inability to see, hear, or speak, she gradually enters the wider world, learning first the relation of words to things, then of alphabetic characters to words. Under the guidance of her teacher, Anne Sullivan, her consciousness expands, and she becomes increasingly independent. Ultimately her “ship of pearl…venturous bark” lands the intrepid Helen at Radcliffe/Harvard (ironically Ted’s alma mater as well).

But with knowledge comes discrimination. The great world is not perfect—a thread can break, tangle, or unwind--and as Anne’s own vision and health decline, Helen becomes aware not only of her own isolation, but of isolation as a quality inherent in human life. She reflects on the limitations of language, the fragility of thought and memory, in a bittersweet tone any devotee of Japanese culture will recognize. “Life is a pursuit of safety that invests you steadily in the ruin of your home until you become so used to ruined homes that in the end, well, there you are.”

synopsis by Edith Reisner Newton

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The Performers

Helen Keller
Jubilith Moore
Anne Sullivan
Sheila Berotti
Mother
Libby Zilber
Chorus
Max, John Oglevee, Lluís Valls
 
Yugen Orchestra
Jonathan Segel
guitar, violin, electronics
Allen Whitman
guitar, percussion

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music

Pioneering contemporary music has been composed for each of Theatre of Yugen's The Cycle Plays. Lead co-composer Allen Whitman is joined by Jonathoan Segel to create the soundscape for Dark/Silent.

Sample 1 - Ship of Pearl

Sample 2 - Universal Athens

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cyclepedia

For more information on the subject matter of this and other plays in Theatre of Yugen's The Cycle Plays you can peruse the

cyclepedia

Everyone is welcome to browse and contribute.

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The Cycle Plays is made possible by support from
The Creative Work Fund, Djerassi Resident Artists Program, The Flintridge Foundation, the William and Flora Hewlett Foundation, Japan Foundation Los Angeles, The James Irvine Foundation, Lalys Wine, Meet the Composer’s Creative Connections Program, National Endowment for the Arts, Rockefeller MAP and the San Francisco Hotel Tax Fund/Grants for the Arts.