|
NOHspace Presents Alien Body January 19th & 20th, 2008 Curated and featuring performance interventions by Guillermo Gómez-Peña, Alien Body is built around three new short works by San Francisco-based performing artists, including Violeta Luna, Allison Wyper, and Sara Shelton Mann (whose piece, in collaboration with David Szlasa, is the developmental work for her full length premiere with ODC in April).
Representing three different generations, ethno-cultural backgrounds, and/or artistic disciplines, Alien Body looks at the body as territory in a foreign setting, a vulnerable entity in a hostile, unpredictable or inhospitable space: the aging body in a youth-centered space, the body as victim of a toxic environment, and the “ethnic body”. |
|
|
|
|
NOHspace Presents A Little of More Elke Luyten (Belgium), co-creator, choreographer and performer April 21st and 22nd, 2008 Built on a strong foundation of codified movement, the performers interweave original Shaker writings and songs to create a richly detailed work of individual struggle and metaphysical transcendence. A Little of More was created in the traditions of Etienne Decroux, a theatre revolutionary of the 20th century who devised a system of movement allowing the actor to embody thought. By using this language of abstract movement and daily physical actions, the performers present a work that is spare, elemental and universal. A Little of More was created in part during a residency at Robert Wilson’s Watermill Center in New York in April of 2007. A 35-minute duet version of the piece premiered at the New Original Works Festival at the REDCAT in Los Angeles in July 2007. This performance at Nohspace is the premier of the full-length piece, including four actors from the USA, Belgium and Singapore. A Little of More will subsequently be shown in May 2008 at the Watermill Center in New York as a part of the group’s second residency at the center. Elke Luyten, born in Hasselt, Belgium, currently lives and works in the Los Angeles area. Since 1998, she has worked as one of Thomas Leabhart’s research assistants, assistant teachers and principal performers of Corporeal Mime. In addition to teaching Corporeal Mime, Elke has presented her solo work throughout Japan, Belgium, France, Mexico and the United States. Kira Alker, a resident of the Los Angeles area, graduated from Pomona College with a degree in Theatre Performance. She has studied Corporeal Mime with Thomas Leabhart since 2001 and currently works as one of his research and teaching assistants. Additionally, she has directed Luyten’s solos: On the Edge of Nothing, Happy Songs for Sad Days and Here is Someone. Workshop in Corporeal Mime April 19th and 20th, 2008 Etienne Decroux (1898 – 1991) developed Corporeal Mime in France during the early twentieth century. Reacting strongly against realism and the dominance of words on stage, Decroux created a theatre form to empower the actor by giving him a specific technique to place drama within the body. Today, Corporeal Mime is one of the only codified theatre forms that exists in the western world. With a specific and unique vocabulary for the articulation of the body, the Corporeal Mime actor strives to embody thought. Singing the movements of the soul with the muscles of the body, the actor reveals a profound and universal inner conflict. Nonetheless, the drama expressed in Corporeal Mime is decidedly non-situational and nonlinear: there is no plot and no characters portrayed. Thoroughly modern, reactionary and revolutionary, the actor succeeds the playwright in this new form of theatre. |
|
|
|
|
NOHspace Presents paige starling sorvillo/blindsight productions September 8th & 9th, 2008 tickets $15/$10
Students/Seniors Short Works by one of the Bay Area's most intriguing choreographer.
|
|
|
|
Theatre of Yugen's 30th Anniversary Season
is generously funded in part by our supportive individual donors, The William and Flora Hewlett
Foundation, Johnson & Johnson, Rockefeller MAP, and the San Francisco
Hotel Tax Fund/Grants for the Arts. Theatre of Yugen is a proud member of Theatre Bay Area, Project Artaud, Theatre Communications Group and the Network of Ensemble Theaters. |
|